Exhibitions
2000-2010
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> Past Exhibitions 2003 > Past Exhibitions 2003 2003
> Past Exhibitions 2002 > Past Exhibitions 2002 2002
100 Views of Mount Fuji100 Views of Mount Fuji 100 Views of Mount Fuji 100 Views of Mount Fuji
Albertina: Old Master Drawings from ViennaAlbertina: Old Master Drawings from Vienna Albertina: Old Master Drawings from Vienna Albertina: Old Master Drawings
Archibald Prize 2002Archibald Prize 2002 Archibald Prize 2002 Archibald Prize 2002
ARTEXPRESS 2002ARTEXPRESS 2002 ARTEXPRESS 2002 ARTEXPRESS 2002
Belle �leBelle �le Belle �le Belle �le
Biennale of Sydney 2002Biennale of Sydney 2002 Biennale of Sydney 2002 Biennale of Sydney 2002
BitterSweetBitterSweet BitterSweet BitterSweet
BUDDHA: Radiant AwakeningBUDDHA: Radiant Awakening BUDDHA: Radiant Awakening BUDDHA
DecadesDecades Decades Decades
Ingeborg TyssenIngeborg Tyssen Ingeborg Tyssen Ingeborg Tyssen
Len LyeLen Lye Len Lye Len Lye
Lloyd ReesLloyd Rees Lloyd Rees Lloyd Rees
Love & DeathLove & Death Love & Death Love & Death
Margaret Preston: Australian FocusMargaret Preston: Australian Focus Margaret Preston: Australian Focus Margaret Preston: Australian Focus
Nell + Mel O'CallaghanNell + Mel O'Callaghan Nell + Mel O'Callaghan Nell + Mel O'Callaghan
Ngurra Kutu (Going Home)Ngurra Kutu (Going Home) Ngurra Kutu (Going Home) Ngurra Kutu (Going Home)
Robert KlippelRobert Klippel Robert Klippel Robert Klippel
Simryn GillSimryn Gill Simryn Gill Simryn Gill
Soft Shadows and Sharp LinesSoft Shadows and Sharp Lines Soft Shadows and Sharp Lines Soft Shadows and Sharp Lines
Tim Johnson & My Le Thi: yab yumTim Johnson & My Le Thi: yab yum Tim Johnson & My Le Thi: yab yum Tim Johnson & My Le Thi: yab yum
> Past Exhibitions 2001 > Past Exhibitions 2001 2001
> Past Exhibitions 2000 > Past Exhibitions 2000 2000
Nell + Mel O'Callaghan
The fly and the mountain
Sun 20 January - Sun 3 March 2002
Level 2 Contemporary Projects Space

Beauty, trust and seduction are three core elements in Nell and Mel's collaborative projects. In this installation, Nell adds an element of horror to Mel's fairytale, mountainous landscape. The uncanny inversion of scale in this work creates a dream-like and threatening environment, and yet an element of realism suggests the plausibility of parallel worlds.