1976

Charlotte Moorman and
Nam June Paik
Moorman + Paik

Recitals (21 & 26 March 1976)
Performances
Exhibition
22–26 March 1976
Art Gallery of South Australia, Adelaide

Recitals (1 & 7 April 1976)
Performances
Exhibition
1–7 April 1976
Art Gallery of NSW, Sydney

Special events:
Ice music for Adelaide
22 March 1976
Adelaide Festival Theatre plaza, Adelaide

Flying cello
23 March 1976
Elder Park, Adelaide

Cello sonata
24 March 1976
Adelaide Festival Theatre rooftop, Adelaide

Candy
(The ultimate Easter Bunny)
2 April 1976
Coventry Gallery, Sydney

Ice music for Sydney
Cello sonata
April 1976
Art Gallery of NSW

Sky kiss
11 April 1976
Sydney Opera House forecourt

40 years: Kaldor Public Art Projects exhibition notes Charlotte Moorman and Nam June Paik 1976

Download education notes (PDF 8pp)

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Skin has become inadequate in interfacing with reality. Technology has become the body's new membrane of existence.

Nam June Paik with Charlotte Moorman, ‘Video, Vidiot, Videology’ in Gregory Battock (ed), New artists video: a critical anthology, EP Dutton, New York 1978

 Charlotte Moorman performs Sky kiss 1968 in 1976

For their Kaldor project in 1976, Nam June Paik and Charlotte Moorman presented a series of more than 40 performances along with an exhibition of some of Paik’s video sculptures and drawings, and documentation from their past performance events. The exhibition was shown at the Art Gallery of South Australia in Adelaide and the Art Gallery of NSW in Sydney, while the performances – written by Paik and their contemporaries including Joseph Beuys, John Cage and Yoko Ono – occurred at a range of venues in the two cities.

Among the performances that attracted the most public and media attention was Moorman floating above the Sydney Opera House forecourt and 2000 spectators, suspended by weather balloons, in Jim McWilliams’ Sky kiss. In another vertiginous McWilliams’ work, Moorman swung through the air above Adelaide’s Elder Park on a trapeze, while on the roofs of the Adelaide Festival Theatre and of the Art Gallery of NSW, she performed Mieko Shiomi’s Cello sonata.

A highlight of that year's Adelaide Festival program (repeated in Sydney later) was Moorman performing naked with a cello carved from a block of ice, which slowly melted away. And she was naked again, but covered in chocolate fudge and surrounded by Easter eggs and fake grass, for an Easter performance at Coventry Gallery in Sydney.

Versions of Paik’s famous video sculptures TV cello, TV Buddha and TV bed were constructed in Australia as part of the exhibition component of the project. In 1971, Paik had devised TV cello, enclosing three TV monitors in separate plexiglas boxes to create a cello-shaped instrument. TV Buddha – possibly Paik’s most famous video work – was originally produced to fill a gap in a show. In it, the Buddha watches his videotaped image on the screen opposite – past and present gaze upon each other in an encounter between Oriental deity and Western media. For TV bed, Paik made a bed from monitors covered with a sheet of plexiglas. Moorman could play while reclining upon the bed with the screens playing either videotaped footage or television transmissions.

Read more about Charlotte Moorman and Nam June Paik.

Watch video of Charlotte Moorman and Nam June Paik’s TV cello and TV bra on the Kaldor Public Arts Project website.

Charlotte Moorman performs Sky kiss 1968, composition by Jim McWilliams, above the Sydney Opera House forecourt in 1976. Courtesy Kaldor Public Art Projects

 

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5th Kaldor project Charlotte Moorman and Nam June Paik present Moorman + Paik in various venues in Adelaide and Sydney, including the Art Gallery of NSW