Sydney artist Gary Carsley's new project is an immersive installation comprised of large photographic monoprints made from scanned timber adhesive foils that together create an image of a park. In these complex works – which Carsley titles 'draguerreotypes' – nature has been dragged metaphorically back into abstract arboreal terrain, paradoxically suggesting how the processes of design and curation effect our understanding of what is 'natural'. Level 2 AGNSW projects are supported by Andrew Cameron 
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