Highlights
Printmaking has become an important
medium for Kuninjku women, enabling many artists
to extend their more traditional practice of fibre
art. The success of much printmaking by Kuninjku
women artists lies in the synergy between the
physicality of the etching process and the harvesting
and manipulation of local flora used in weaving.
The tactility of fibre plants and objects is imparted
in the graphic, hewn quality of the etched image.
Lena Kuriniya
Waterplant 2001
etching
48.9 x 24.1 cm platemark; 68 x 42.5 cm
Purchased 2003
Art Gallery of New South Wales, Sydney
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